Trash Arts Killers Volume 1

Now here's a twisted leftfield deeply disturbing absurdist collection of short films if I ever saw one. From the Trash Arts production stable and currently streaming on VersusMedia this macabre anthology explores themes from the masked corners of the human mind and will put cracks in the thin veneer of our outdated industrialised society.

Running at just over an hour it demonstrates just what is possible with a camera, a co-operative, and unbound imagination. This is not your multiplex 12A spandex CGI fest, obviously; rather grass roots risk taking fringe filmmakers with a self to express unhindered and (quite possibly) unhinged.

First up is Angel of Decay - essentially a vlog by a Ted Bundy fangirl documenting her slide into mimicry of her hero and beyond. If you ever want to know what to pack in your murder kit, this is the one to watch. Certainly lives up to the Killers moniker, plural.

Angel of Decay

After a brief insert of a plastic doll autopsy (which continues to be intercut throughout the first few shorts) we have Court of Conscience. If you've ever wondered if the soapbox loons foretelling end-times and apocalypse should be respected then this film has your answer. A simple idea, well, executed.

Court of Conscience

Then we have Arrows with a one-shot slow-cinema opening scene and an implied botched heist before we see our protagonist casual and confident strolling through the woods licking revolvers as you do. We find ourselves a masked antagonist and after a quick chase sequence the score is settled with a game of chance - namely Russian roulette. There's probably a deep multi-layered metaphor in there somewhere.

Arrows

Moving on to Here's Johnny we are left to imagine the circumstances and context of any storyline as this short jumps straight into the staple horror shower scene. Next time you're in the shower you might want to keep your wits about you and your clothes on.

Here's Johnny

Submitting to Desire we are presented with what is probably the most visually striking film of the bunch. Its abstract narrative arc is left to your own interpretation and anything unsettling is down to your own cognitive biases. Featuring blue steak, squished fruit, bondage, and music steadily building to a thrashing climax there's clues and cues to tie it all together into a coherent study of that suggested by the title.

Desire

Making you even more wary of the landline telephone, The Call sets a scene of a big local news story - so why does our protagonist keep getting calls from a double-glazing salesman questioning her sanity? A tale of ratcheting guilt until pushed over the edge.

The Call

A great use of available light in Southbank which documents the last minutes of life of the main character with a cameo from none other than Death - well this is Trash Arts Killers after all. With an emotive use of music we are in the moment with the lead with disregard for whatever came before and for whatever may come.

Southbank

Rounding up we have Attraction which explores a couple's relationship anniversary and psychological fallout when the relationship is not all you want it to be. Do you continue with the relationship or do you break up with unknown consequences.

Attraction

All in all an entertainment filled hour that should help keep you awake at night! Trash Arts Killers Volume 1 is streaming on VersusMedia from 26th January 2018.

Full disclosure: the ASMR Dolls sections are submissions from my own productions at ASMR.Show

What Happens To Audio Happens To Picture (written in 2007)

What follows is a brief summary of what I saw happening in 2007. (for reference my cable provider today in 2017 offers me the capability to download ~37,500K a second at up to 300Mbps - and video streaming services proliferate - heck I've even got myself a couple of distribution deals across platforms and manage a very small YouTube multi channel network).

Will What's Happened to Music Happen To Movies?

First, you must believe the postulation that picture follows audio. What do I mean by that? I mean that audio workflows digitised long before movies, just as the audio CD predates the DVD, audio tape predates video tape, etc

In 1997 I was downloading about 3K a second. Today in 2007 I'm doing up to 500K a second. So in ten years, that's 166 times faster. But still not fast enough to watch "digital 35mm" in realtime, nor particularly practical to download. But it will happen. When it does, what incentive will there be to watch movies at the cinema, or buy a physical disk of the movie? Like music today, will people be satisfied with high quality device-readable files?

So the movies future is probably in your front room, what today is called home cinema. The cinemas themselves will no doubt continue to exist, just as theatre, radio and books do today. Is the AppleTV perhaps a precursor to that day, albeit in laughably low-resolution to keep file download sizes sane for today's broadband connections.

How does an indie moviemaker survive in that climate, yet alone see success coming anywhere near to an eighties blockbuster?

But workflows of the future will be all digital, including delivery. That is an advantage to the indie on the longtail - the price of admission is lower, although you'll still need great craftsmen to get close to your original vision for the movie, just as any moviemaker knows today.

Apple may become a movie distributor. Typically today big movies are not made without an assured distribution deal or completion bond. Self publishing will remain an option, but will remain niche, hobbyist and vanity as it does today. Distributors understand marketing. Apple understand marketing.

So content creation is available to all. So what.

Distribution is available to all. So what.

Marketing is available to all. Is it?

--

What I take away from this decade old short brain-dump, what I still see all around me, is that indie filmmakers still do not understand the importance of intelligent marketing - if you want to be an indie filmmaker today and haven't got lucky yet I'd recommend delving into psychology which segues nicely with marketing. Or partner with someone who does understand marketing and the absolute slog behind it.

Selecting The Right Tripod For Your Smartphone

Everyone shoots photos and videos with their phone nowadays right? Who wants to carry a tripod around everywhere? If you do need a tripod which is best for you?

Here's one airninja's take on specific tripod requirements:

UPDATE: Murphy's Lore

The development of my documentary around the late prolific Portsmouth filmmaker Michael J. Murphy takes another turn as the Merlin/Murlin/Murlyn portfolio becomes officially available on the internet.




It's made me realise that to truly do justice to his story I need to be more familiar with his body of work. Basically, that means watching it!

Before I interviewed Murphy I had watched bootleg copies of Death Run and Bloodstream and seen a few trailers. He'd also invited me over for a private screening of his last film entitled The Return of Alan Strange which I duly attended.

After he passed away I discovered that as well as a cult horror following some of his work has a peplum following too.

Whereas his horror stuff that I've seen to date reveals themes of cannibalism, satanic rituals and general low budget gore, the peplum productions are another side of his character I need to become better acquainted with.

The MURLYN INTERNATIONAL Youtube channel is being populated with Murphy's back catalogue.

So having said that, I have resolved to watch the remainder of his surviving filmography as it becomes available on his youtube channel over the coming weeks. I suspect I may start reviewing his work here on my blog, too. All in an effort to inform the sensitivity of the documentary I produce, which you may have guessed is consequently not going to get completed any time soon!

Preternatural - Fresh Dip

I'm sitting here with a Fortean taste in my mouth wondering about the nature of reality. About fuses
and bombs. Turkeys and blockbusters- video. Data about data. A recursive tunnel of life until, ultimately, the black veil of death snuffs the individual.

Nothing lasts forever.

I've just watched Preternatural by Gav C. Steel and Dixon Barker. Or have I? Did I just watch it or was I an unwitting participant?

It's a sharp self-aware pastiche on the found-footage genre with an added twist of lemon - no doubt making it too sharp, too close to the bone, for some.

From breaking the fourth wall as a dramatic device to accenting dialogue with sloppy camera angles reminiscent of lomography, the production values are an un-apologetic punk song.

But this is no musical.

What appears to be wear and magnetic damage on the originating VHS tape runs throughout the film as we follow the exploits of amateur filmmakers Gav and Dixon. Hilarity does not ensue.

The sound design and some graphically striking compositions elevate this well performed tale of malevolence above the average splatterfest. In fact, there is no splatter. Just plenty of chills. Plenty of nested meta.



Why am I writing about a fantasy horror movie on a blog primarily about compact capability? Well it struck me that this movie likely would not have happened so fluidly, or at all, with a union crew of 30 and a video-village in tow.

Similar to Steel's previous feature The Shadow Of Death, this film was shot PSC (that's Portable Single Camera, kids) in a variety of locations that would have hampered large productions with accessibility problems and Winnebagos getting stuck in the mud. Well, except one location - the indie production had to give way at one point to Nick Frost and Chris Hemsworth riding on horseback for Universal Studios filming The Huntsman.

In an odd way, and perhaps this makes me biased, Preternatural reminds me of a cross between my own Crooked Features and the all-improv Halloween spectacular, G.A.I.N. - however, to mere mortals I have no doubt that Preternatural will be a fresh dip into the genre-bender genre.

Recommended for cerebral stimulation in a silent, dark, place.

Golden Ticket to LIVE FilmRaker ChatLab

After the success of FilmRaker's London Pop-Up, the next live conference is happening on the south coast of England in the seaside town of Southsea.


Numbers are limited at the venue so the event sessions will also be broadcast live via periscope. Keep an eye on FilmRaker's twitter feed on the 22nd from 6pm-BST for the live broadcast links.

Hush Hush New Star Wars Project

Well I can't let July go by without a blog entry. Things have been moving thick-and-fast for me, Deer Studios, and I.

If it's not FilmRaker it's SongRaker and if it's neither of those it's the miker smelting pot of lowest common denoms.

So imagine my excitement when me - Star Wars fan since it's UK screening Christmas 1977 - gets a draft of a hush hush Star Wars project through his letterbox.

Hush hush.

FilmRaker pops-up in London for a LIVE summer session

Anyone interested in the future of the British film industry (pounds not dollars) could do a lot worse than check out the free seminars on 25th June in London.

More info in the trail vid:



FilmRaker is the UK's première forbidden filmmaking magazine - live in London.